iZotope Ozone Advanced v8.00

Ozone 8: the future of mastering

As the industry’s most comprehensive mastering suite, Ozone 8 adds to its legacy by introducing new intelligent signal processing, spectral shaping, Tonal Balance Control, and more. It’s the smartest version of Ozone yet.

What's new in Ozone 8?

Intelligent signal processing, spectral shaping, Tonal Balance Control, Track Referencing, new look and feel, and more

The future is here

Assistance with control

Master Assistant uses the sonic profile of your audio to help you get to a logical starting point. Because your time is better spent adding your sonic signature, Master Assistant will suggest targets, signal chain, and processor settings, so you can get back to what’s most important—adding that personal touch.

Balance your master

The new Tonal Balance Control plug-in introduces industry-first visual analysis and communicates with all instances of Ozone so you can shape a perfectly balanced master. Instantly call up any Ozone Equalizer and adjust your tracks to targets based on ten of thousands of professional masters. You can even create your own custom targets from one or more songs in your personal library.

Ozone...meet Neutron

The Tonal Balance Control plug-in not only communicates with the Ozone 8 Equalizer and Post EQ modules, but Neutron 2 EQ modules as well. This inter-plugin communication lets you fix mix issues during mastering and helps bridge the mixing and mastering gap. No more context switching or opening up multiple windows—just tonally balanced, professional sounding music.

Taming of the shrill

Smooth and sculpt problematic and harsh frequencies with the new Spectral Shaper module. Mold your audio by applying frequency-specific dynamics, surgically or creatively, to create smooth, balanced audio. Fantastic for taming percussive transients, Spectral Shaper can tame sibilant hi-hats, harsh vocals, plucky acoustic guitars, and other overly bright mix elements. For a creative twist, use Spectral Shaper across any frequency band to experiment with timbre, resonance, and transient information without affecting other elements of the source audio.